Sunday, 22 February 2015

Weaving on plastic frame

When I visited The University of Huddersfield on a taster day they taught me how to do weaving on plastic frames. It is a fun technique that I found really cool to use, it was something I hadn't done before but got the hang of quite easily.

Weaving

It is really easy to do and it is like weaving on a cardboard loom apart from you tie the beginning and the end of the warp to the frame. You can have a look at the weaving on a cardboard by clicking on this link: http://jessicaturnerart.blogspot.co.uk/2015/02/weaving-on-cardboard-loom.html

Weaving

Finished Weaving

My finished piece looks really nice the colours are taken from my research on William Morris and Gustav Klimt that I thought looked great together. I especially like the yellow and green yarn because of it's texture.

Emboidery

I have done some quick sewing on my new sewing machine. I did some applique with wallpaper and testing of different stitches.

My sewing machine

Sewing on cotton

This piece was just to test the machine and make sure it was set up correctly which it was.

Stitches on cotton

These two pieces look at the different stitches my sewing machine does. I like the zig zag stitches and the wavy ones.

Close-up of stitches

Applique

I love the applique with wallpaper its very different but looks really nice.

Saturday, 21 February 2015

Weaving on cardboard loom


For this project I have looked a lot at different ways of weaving. This week I looked at weaving on a cardboard loom. It is a very straightforward process that you can do anywhere on a flat surface.

When using this process you need to have, a cardboard loom (you can make this yourself), yarn/wool, a weaving needle (if you want to use one) and masking tape. The only health and safety I would say is to be careful if your using a weaving needle that you don't hurt yourself or others and if you have a ball of wool/string/felt and its trailing on the floor make sure no one trips over it.


Start of my weave

First tape the end of your wool/yarn to the back of the cardboard loom with the masking tape. Then wrap the wool around the cardboard loom making it go between each of the cuts at the ends of the loom. Once at the end cut the wool from the ball and tape the end to the back of the loom. After this you can start your weave. You can then select another colour of wool and attach it to a weaving needle. Then you go under and over the strands of wool until you get to the end and then you go back in the other direction but when it went over you go under an vise versa. Once you've finished you and reached the en you need to cut it off the loom from the back. You then tie the ends together so the weave doesn't come undone then your weave is complete.

 My Weave

My Weave

Close-up of weave

My finished weave

I love my weave it is so simple and quick to make. I enjoyed experimenting with the colours of wool and patterns on my weave and they look very effective. The one problem I had with my weave was that it lost its shape from the the wool been woven too tight so I would change it next time.

Tuesday, 13 January 2015

Weaving on a loom

I have recently learnt how to do weaving on a table loom in my textile class and have enjoyed the technique a lot. I found the process to be really simple and easy to use once it had been explained and I like the samples I produced.
 
The health and safety for using the loom was to be careful when moving the leavers/hooks because they can unhook fast and you could get your fingers trapped. Be careful and aware when others are around you as you wouldn't wish for them to get hurt and finally don't get anything stuck in or on the loom.
 
Below is a diagram of the looms most important features, the reed, warp, weft and shuttle.

Diagram of a loom

The warp is the most important part to create your weave each piece of the warp moves up and down when you select a pattern of weave by moving the leavers/hooks at the side. The shuttle then goes through the middle of the warp with the weft diagonally to create the weave. You then use the reed to pull the weave tight so it doesn't unravel. After this you continue to select your pattern and follow the same steps to continue your weave.

Eventually you will come to point where you have finished your weave so you would then cut it from the loom and tie the ends of the warp off so it doesn't unravel.

Below are a few images of me weaving:





That was my first go on a loom and it was a great experience. I experimented with different yarns and colours, the one I was most intregued to use was the plastic wire this was very hard to use and  I didn't like the texture it created.

My weave before it was finished


Finished weave

Once finished my weave looked quite nice, it had different patterns of weave and patterns through the use of colour. It wasn't too big of a weave but it was a good start, hopefully next time I will be able to weave it a lot quicker.

Wednesday, 7 January 2015

William Morris and Co Project

This project is focused on William Morris and a contemporary artist of my choice. I chose to look at Gustav Klimt as my chosen artist as I love his gold period artwork and zentangle like style. 


William Morris age 53.jpg
William Morris

Gustav Klimt

Below are the links to two sites on each artist:


William Morris & Co - https://www.william-morris.co.


So far I have enjoyed exploring the works of both artists and I am trying to incorporate the styles and colour schemes into my samples, sheetwork and sketchbook. I am facinated with the floral prints of William Morris and how intricate they are and I am trying to change the colours to see what they look like in the scheme of Gustav Klimt. It is so far a really interesting project and I can't wait to see the ideas I can come up with.

Sunday, 2 November 2014

Le Tour De France Report

Bikes, cyclists, routes and locations. Throughout the summer I have undertaken an assignment on Le Tour De France as it passed through Yorkshire this was particularly inspiring as it was close to home. It was a historic event and being able to focus on all aspects was very educational. 

At the start of this project I undertook a lot of research mostly primary and secondary but I did do some observational drawing as well. For my primary research I went to the Bike Show Exhibition at the Civic in Barnsley and I also went to Meadowhall in Sheffield where Le Tour would be passing to look at a display that gave information about Le Tour and also sold memorabilia. For my secondary research I looked at magazines, newspapers and also took images/research from the internet (pinterest, google and other websites). Then for my observational drawings I looked at a set up of bike wheels and made drawings in a range of media on a variety of backgrounds. They were also done in time limits ranging from 5 to 15 minutes.

I was definitely inspired by the Bike Show Exhibition and found that I was mostly inclined to look at the jerseys, old and futuristic bikes and Eliza Southwoods prints. I particularly wanted to look at these because they are attractive aspects to focus on. I loved Eliza Southwoods bold and colourful prints as they captured Le Tour De France in a very striking way.

What I disliked about the Bike Show was that there wasn't much modern Tour De France bikes and jerseys that I could photograph. I thought that it would have been good if they had more recent things to display that had featured in more recent tours.

The artists I have looked at were Miki De Goodaboom, Alister Colley, Eliza Southwood, Anita Bowerman, Janet Browne, Louisa Crompton, Janice Arnold, Linda Banks Hansee, Moy Mackay and Rafa Jenn. Most of these artists use different techniques so I researched them to get some inspiration. Some of the techniques they look at are screen printing, felting, needle felting, lino printing, knitting and weaving. I enjoyed looking at the screen printing artist Rafa Jenn as his work is bold and he sometimes only uses 2  to 3 colours like in my own prints. I also took forward Louisa Crompton's knitting technique that uses two colour yarns and Moy Mackay's needle felting that blends colour wools together.

During this project I covered a lot of techniques most of them I enjoyed doing and found them very useful. These techniques were knitting, wet felting, needle felting, screen/pigment printing, weaving, heating/melting knitting, drawing on tissue paper and brush-o inks with bleach, drawing with a range of media on colour backgrounds and dying material with procion dyes.

When doing these techniques I experimented with my Tour De France images that I had already used in my sketchbook to see what concepts I could take forward into my final pieces. I experimented with 3D wet felting ideas making swirled rolls that I could then cut into small circular pieces. I did a lot of sample prints for screen printing on materials like calico and cotton and dyed some of them with procion dyes. These are only some of the ways I have been experimenting with the techniques as I have tried to do a lot.

My artists linked to my work by the use of their colour, style and texture. I took the bold style of Rafa Jenn's print when designing my screen where he uses thick lines or shapes to make the colours catch the eye. Miki De Goodaboom's line work inspired me along with her use of colour particulary the black and white and also Janice Arnold with her plain felting.
I decided on my final pieces by looking back at my samples in a design meeting with my fellow students. They chose my top 4 that they wanted me to reproduce and advised me on what improvements I needed to make.

I feel that throughout this project I have managed my time very effectively and managed to finish my work to a good standard during this time. It was at some points difficult to keep on top of the work load and make sure everything got done but I eventually got the hang of it.
What went well in this project was my ability to think up a interesting screen print design that I was able to make into 3 seperate screens. I personally think that most of my project went well for me and I made a big effort to make a range of distinctive prints. I also think a lot of my accidental pieces turned out well for me. 

At the beginning I felt inspired to do well. Especially knowing the Tour De France was going through my home town, Yorkshire. However due to the amount of time spent on the project, I lost motivation for the project in the middle. I regained my interest when it came to doing my print and feel they were some of the best work I have produced.

To keep the momentum I would have made the project shorter. I feel that too much was focused on the research rather than the end product. I also think I could have changed the amount and quality of my observational drawings.

Overall I am very satisfied with this project. I think I have made an excellent collection of work that I am happy with and would be delighted to put in my portfolio. I am making progress developing my skill and learning new techniques. And I have managed to get on with a project that I wouldn't normally think to focus on. I  am satisfied with the outcomes of my project and everything within my sketchbook and technical file.


My 4 final pieces


I think I have used my blog effectively and to a good standard. However I believe that in my upcoming projects I should learn to keep on top of the amount I have to do by writing them as I do each technique.

My sketchbook has also been used very effectively and to a high standard. I have spent many hours making sure I got all my ideas and inspirations down and tried making each page visually engaging. To improve on this I would like to experiment with my ideas more with media and colour as I think it would make my work more developed.

Altogether it has been a great project and I have thoroughly enjoyed it. I am now looking forward to my next project that will be on something completely different and I hope it will be to the same standard as this one.

Final pieces

Hi guys! These are my final pieces for my Le Tour De France project. I have spent a lot of time and effort on these pieces and I think they are fabulous. I had a great enthusiasm to do some great final pieces and I hope you think so too.

Final Piece 1

This piece was a recreation of a accidental piece I did and although it could never be made exactly the same I managed to copy the technique quite well. I am satisfied with the result of this piece and am glad it turned out so well.

Final Piece 2

This final piece was very easy to replicate and I think it looks better than the sample piece as that one smudged and I had to try to touch it up. It has a fun effect and people will look twice when they see it.

Final Piece 3

This piece took a while to remake as I have to wait between each technique I used so it could dry. I like the pink colour as it makes the black standout and it is a new colour to the others. It is not exactly A5 size as I forgot to allow space for it shrinking however the print still works so I was happy.

Final Piece 4

This final piece was great it has more texture than all my other final pieces. It was originally meant to be just a print but after the design meeting my class mates decided that I should work back into this piece in some way. So I then decided to use my own technique I found when using acrylic wool. This one is by far my favorite piece as it isn't just a flat piece it takes two to three techniques and makes it interesting.  

All Final Pieces

I am satisfied with all the prints I have made and hopefully they reflect the time and effort I have put into them. It has been a amazing project that I have enjoyed but I am glad that it is now finished.